New in Southwest 2020-2025

Women, Witchcraft, and the Inquisition in Spain and the New World investigates the mystery and unease surrounding the issue of women called before the Inquisition in Spain and its colonial territories in the Americas, including Mexico and Cartagena de Indias. Edited by María Jesús Zamora Calvo, this collection gathers innovative scholarship that considers how the Holy Office of the Inquisition functioned as a closed, secret world defined by patriarchal hierarchy and grounded in misogynistic standards. Ten essays present portraits of women who, under accusations as diverse as witchcraft, bigamy, false beatitude, and heresy, faced the Spanish and New World Inquisitions to account for their lives. Each essay draws on the documentary record of trials, confessions, letters, diaries, and other primary materials. Focusing on individual cases of women brought before the Inquisition, the authors study their subjects? social status, particularize their motivations, determine the characteristics of their prosecution, and deduce the reasons used to justify violence against them. With their subjection of women to imprisonment, interrogation, and judgment, these cases display at their core a specter of contempt, humiliation, silencing, and denial of feminine selfhood. The contributors include specialists in the early modern period from multiple disciplines, encompassing literature, language, translation, literary theory, history, law, iconography, and anthropology. By considering both the women themselves and the Inquisition as an institution, this collection works to uncover stories, lives, and cultural practices that for centuries have dwelled in obscurity.

David Forsyth recounts the life of Eben Smith, an integral but little-known figure in Colorado mining history. Smith was one of the many fortune seekers who traveled to California during the gold rush and one of the few who found what he sought. He moved to Colorado in 1860 with business partner Jerome Chaffee and over the next forty-six years was involved in mining in nearly every major camp in the state, from Central City to Cripple Creek, and in the development of mines such as the Bobtail, Little Jonny, and Victor. He was eulogized by the Denver Post and Denver Times as the "dean of mining in Colorado."   The mining teams Smith formed with Chaffee and with industrialist David Moffat were among the most successful and respected in Colorado, and many in the state held Smith in high regard. Yet despite the credit he received during his lifetime for establishing Colorado's mining industry, Smith has not received much attention from historians, perhaps because he was content to leave public-facing duties to his partners while he concerned himself with managing mine operations.   From Smith's early years and his labor in the mines to his rise to prominence as an investor and developer, Forsyth shows how Smith used the mining and milling knowledge he acquired in California to become a leader in technological innovation in Colorado's mining industry.  

In 1893 Frederick Jackson Turner famously argued that the generational process of meeting and conquering the supposedly uncivilized western frontier is what forged American identity. In the late twentieth century, "new western" historians dissected the mythologized western histories that Turner and others had long used to embody American triumph and progress. While Turner's frontier is no more, the West continues to present America with challenging processes to wrestle, navigate, and overcome. The North American West in the Twenty-First Century, edited by Brenden W. Rensink, takes stories of the late twentieth-century "modern West" and carefully pulls them toward the present--explicitly tracing continuity with or unexpected divergence from trajectories established in the 1980s and 1990s. Considering a broad range of topics, including environment, Indigenous peoples, geography, migration, and politics, these essays straddle multiple modern frontiers, not least of which is the temporal frontier between our unsettled past and uncertain future. These forays into the twenty-first-century West will inspire more scholars to pull histories to the present and by doing so reinsert scholarly findings into contemporary public awareness.

When the last spike was hammered into the steel track of the Transcontinental Railroad on May 10, 1869, at Promontory Point, Utah, Western Union lines sounded the glorious news of the railroad's completion from New York to San Francisco. For more than five years an estimated four thousand men mostly Irish working west from Omaha and Chinese working east from Sacramento, moved like a vast assembly line toward the end of the track. Editorials in newspapers and magazines praised the accomplishment and some boasted that the work that "was begun, carried on, and completed solely by men." The August edition of Godey's Lady's Book even reported "No woman had laid a rail and no woman had made a survey." Although the physical task of building the railroad had been achieved by men, women made significant and lasting contributions to the historic operation. However, the female connection with railroading dates as far back as 1838 when women were hired as registered nurses/stewardesses in passenger cars. Those ladies attended to the medical needs of travelers and also acted as hostesses of sorts helping passengers have a comfortable journey. Beyond nursing and service roles, however, women played a larger part in the actual creation of the rail lines than they have been given credit for. Miss E. F. Sawyer became the first female telegraph operator when she was hired by the Burlington Railroad in Montgomery, Illinois, in 1872. Eliza Murfey focused on the mechanics of the railroad, creating devices for improving the way bearings on a rail wheel attached to train cars responded to the axles. Murfey held sixteen patents for her 1870 invention. In 1879, another woman inventor named Mary Elizabeth Walton developed a system that deflected emissions from the smoke stacks on railroad locomotives. She was awarded two patents for her pollution reducing device. Their stories and many more are included in this illustrated volume celebrating women and the railroad.

Few contemporary artists before the 1990s explored the negative impact of the Spanish in the Southwest, but unreflective celebrations of the Columbus Quincentennial brought about portrayals of a more complicated legacy of Columbus's arrival in the Americas--especially by Indigenous artists. Through a series of etchings, Floyd Solomon of Laguna and Zuni heritage undertook a visual recounting of Pueblo history using Indigenous knowledge positioned to reimagine a history that is known largely from non-Native records. While Solomon originally envisioned more than forty etchings, he ultimately completed just twenty. From nightmarish visions of the Spanish that preceded their arrival to the subsequent return of the Spanish and their continuing effects on the Pueblo people, Solomon provides a powerful visual record. These insightful, probing etchings are included in this important full-color volume showcasing Solomon's work and legacy. In Reimagining History from an Indigenous Perspective, Joyce M. Szabo positions Solomon among his contemporaries, making this vibrant artist and his remarkable vision broadly available to audiences both familiar with his work and those seeing it for the first time.

Now notorious for its aridity and air pollution, Mexico City was once part of a flourishing lake environment. In nearby Xochimilco, Native Americans modified the lakes to fashion a distinctive and remarkably abundant aquatic society, one that provided a degree of ecological autonomy for local residents, enabling them to protect their communities' integrity, maintain their way of life, and preserve many aspects of their cultural heritage. While the area's ecology allowed for a wide array of socioeconomic and cultural continuities during colonial rule, demographic change came to affect the ecological basis of the lakes; pastoralism and new ways of using and modifying the lakes began to make a mark on the watery landscape and on the surrounding communities. In this fascinating study, Conway explores Xochimilco using native-language documents, which serve as a hallmark of this continuity and a means to trace patterns of change.

"A brilliant rendering of what 'the open space of democracy' must be if we are to survive its present state of erosion." -Terry Tempest Williams   The forgotten and "energetic" history of the extraordinary couple who rescued national parks from McCarthyism--and inspired a future of conservation (Wall Street Journal) In late-1940s America, few writers commanded attention like Bernard DeVoto. Alongside his brilliant wife and editor, Avis, DeVoto was a firebrand of American liberty, free speech, and perhaps our greatest national treasure: public lands. But when a corrupt band of lawmakers, led by Senator Pat McCarran, sought to quietly cede millions of acres of national parks and other western lands to logging, mining, and private industry, the DeVotos entered the fight of their lives. Bernard and Avis built a broad grassroots coalition to sound the alarm--from Julia and Paul Child to Ansel Adams, Arthur Schlesinger Jr., Alfred Knopf, Adlai Stevenson, and Wallace Stegner--while the very pillars of American democracy, embodied in free and public access to Western lands, hung in the balance. Their dramatic crusade would earn them censorship and blacklisting by Joe McCarthy, J. Edgar Hoover, and Roy Cohn, and it even cost Bernard his life. In This America of Ours, award-winning journalist Nate Schweber uncovers the forgotten story of a progressive alliance that altered the course of twentieth-century history and saved American wilderness--and our country's most fundamental ideals--from ruin.

When late eighteenth-century New Spanish viceregal administrators installed public lamps in the streets of central Mexico City, they illuminated the bodies of Indigenous, Afro-descended, and plebeian Spanish urbanites. The urban patrolmen, known as guarda faroleros, or "lantern guards," maintained the streetlamps and attempted to clear the streets of plebeian sexuality, embodiment, and sociability, all while enforcing late colonial racial policies amid frequent violent resistance from the populace. In The Enlightened Patrolman Nicole von Germeten guides readers through Mexico City's efforts to envision and impose modern values as viewed through the lens of early law enforcement, an accelerated process of racialization of urban populations, and burgeoning ideas of modern masculinity. Germeten unfolds a tale of the losing struggle for elite control of the city streets. As surveillance increased and the populace resisted violently, a pause in the march toward modernity ensued. The Enlightened Patrolman presents an innovative study on the history of this very early law enforcement corps, providing new insight into the history of masculinity and race in Mexico, as well as the eighteenth-century origins of policing in the Americas.

In this groundbreaking study, historian Michael J. Alarid examines New Mexico's transition from Spanish to Mexican to US control during the nineteenth century and illuminates how emerging class differences played a crucial role in the regime change. After Mexico won independence from Spain in 1821, trade between Mexico and the United States attracted wealthy Hispanos into a new market economy and increased trade along El Camino Real, turning it into a burgeoning exchange route. As landowning Hispanos benefited from the Santa Fe trade, traditional relationships between wealthy and poor Nuevomexicanos--whom Alarid calls patrónes and vecinos--started to shift. Far from being displaced by US colonialism, wealthy Nuevomexicanos often worked in concert with new American officials after US troops marched into New Mexico in 1846, and in the process, Alarid argues, the patrónes abandoned their customary obligations to vecinos, who were now evolving into a working class. Ultimately wealthy Nuevomexicanos, the book argues, succeeded in preserving New Mexico as a Hispano bastion, but they did so at the expense of poor vecinos.

"Early on the morning of August 8, 1881, seven Apache warriors and twelve Navajo raiders made their way on horseback down a piñon-and-ponderosa-shrouded plateau in west central New Mexico Territory to the rock and terrones La Cebolla Ranch house of Domingo and Plácida Romero Gallegos. The raiders were led by sixty-six-year-old Nana (Kas-tziden) who was determined to avenge the death of his nephew Victorio, the legendary Mimbreño Apache leader, who had been killed ten months earlier along with most of his warriors at Cerro Tres Castillos in the Chihuahuan desert, seventy miles south of El Paso, by Mexican troops under the command of colonel Joaquín Terrazas. At La Cebolla Ranch the raiders killed Domingo Gallegos along with a ranch hand, José María Vargas, carried off Plácida Romero, and rode off into the timbered high country to the east. Near Blue Water Vega, not far from La Cebolla Ranch, Plácida was forced to hand over her nine-month-old daughter to a group of Navajos. Eventually carried into the deserts of Chihuahua, Plácida made an amazing escape in September 1881, and returned to New Mexico, where she was reunited with her family at the small rock-and-adobe outpost of Cubero. This is the story of Plácida Romero's capture, heartbreaking agony, and miraculous escape passed from generation to generation and became the subject of one of the most fascinating and captivating traditional (Hispanic) native ballads in New Mexico history."--Jerry D. Thompson from the Introduction

In Continental Reckoning renowned historian Elliott West presents a sweeping narrative of the American West and its vital role in the transformation of the nation. In the 1840s, by which time the United States had expanded to the Pacific, what would become the West was home to numerous vibrant Native cultures and vague claims by other nations. Thirty years later it was organized into states and territories and bound into the nation and world by an infrastructure of rails, telegraph wires, and roads and by a racial and ethnic order, with its Indigenous peoples largely dispossessed and confined to reservations. Unprecedented exploration uncovered the West's extraordinary resources, beginning with the discovery of gold in California within days of the United States acquiring the territory following the Mexican-American War. As those resources were developed, often by the most modern methods and through modern corporate enterprise, half of the contiguous United States was physically transformed. Continental Reckoning guides the reader through the rippling, multiplying changes wrought in the western half of the country, arguing that these changes should be given equal billing with the Civil War in this crucial transition of national life. As the West was acquired, integrated into the nation, and made over physically and culturally, the United States shifted onto a course of accelerated economic growth, a racial reordering and redefinition of citizenship, engagement with global revolutions of science and technology, and invigorated involvement with the larger world. The creation of the West and the emergence of modern America were intimately related. Neither can be understood without the other. With masterful prose and a critical eye, West presents a fresh approach to the dawn of the American West, one of the most pivotal periods of American history.  

The curious tale of two priest impersonators in late colonial Mexico Cut loose from their ancestral communities by wars, natural disasters, and the great systemic changes of an expanding Europe, vagabond strangers and others out of place found their way through the turbulent history of early modern Spain and Spanish America. As shadowy characters inspiring deep suspicion, fascination, and sometimes charity, they prompted a stream of decrees and administrative measures that treated them as nameless threats to good order and public morals. The vagabonds and impostors of colonial Mexico are as elusive in the written record as they were on the ground, and the administrative record offers little more than commonplaces about them. Fugitive Freedom locates two of these suspect strangers, Joseph Aguayo and Juan Atondo, both priest impersonators and petty villains in central Mexico during the last years of Spanish rule. Displacement brought pícaros to the forefront of Spanish literature and popular culture--a protean assortment of low life characters, seen as treacherous but not usually violent, shadowed by poverty, on the move and on the make in selfish, sometimes clever ways as they navigated a hostile, sinful world. What to make of the lives and longings of Aguayo and Atondo, which resemble those of one or another literary pícaro? Did they imagine themselves in literary terms, as heroes of a certain kind of story? Could impostors like these have become fixtures in everyday life with neither a receptive audience nor permissive institutions? With Fugitive Freedom, William B. Taylor provides a rare opportunity to examine the social histories and inner lives of two individuals at the margins of an unfinished colonial order that was coming apart even as it was coming together.

Challenges the myth of the United States as a nation of immigrants by bringing together two groups rarely read together: Native Americans and Eastern European immigrants   In this cultural history of Americanization during the Progressive Era, Cristina Stanciu argues that new immigrants and Native Americans shaped the intellectual and cultural debates over inclusion and exclusion, challenging ideas of national belonging, citizenship, and literary and cultural production. Deeply grounded in a wide-ranging archive of Indigenous and new immigrant writing and visual culture--including congressional acts, testimonies, news reports, cartoons, poetry, fiction, and silent film--this book brings together voices of Native and immigrant America.   Stanciu shows that, although Native Americans and new immigrants faced different legal and cultural obstacles to citizenship, the challenges they faced and their resistance to assimilation and Americanization often ran along parallel paths. Both struggled against idealized models of American citizenship that dominated public spaces. Both participated in government-sponsored Americanization efforts and worked to gain agency and sovereignty while negotiating naturalization.   Rethinking popular understandings of Americanization, Stanciu argues that the new immigrants and Native Americans at the heart of this book expanded the narrow definitions of American identity.

Presenting an innovative, interdisciplinary approach to colonial America's best-known literary genre, Andrew Newman analyzes depictions of reading, writing, and recollecting texts in Indian captivity narratives. While histories of literacy and colonialism have emphasized the experiences of Native Americans, as students in missionary schools or as parties to treacherous treaties, captivity narratives reveal what literacy meant to colonists among Indians. Colonial captives treasured the written word in order to distinguish themselves from their Native captors and to affiliate with their distant cultural communities. Their narratives suggest that Indians recognized this value, sometimes with benevolence: repeatedly, they presented colonists with books. In this way and others, Scriptures, saintly lives, and even Shakespeare were introduced into diverse experiences of colonial captivity. What other scholars have understood more simply as textual parallels, Newman argues instead may reflect lived allegories, the identification of one's own unfolding story with the stories of others. In an authoritative, wide-ranging study that encompasses the foundational New England narratives, accounts of martyrdom and cultural conversion in New France and Mohawk country in the 1600s, and narratives set in Cherokee territory and the Great Lakes region during the late eighteenth century, Newman opens up old tales to fresh, thought-provoking interpretations.

In the 1940s military and scientific personnel chose the Pajarito Plateau to site Project Y of the secret Manhattan Project, where scientists developed the atomic bomb. Nuevomexicanas/os and Tewa people were forcibly dispossessed from their ranches and sacred land in north-central New Mexico with inequitable or no compensation. Contrary to previous works that suppress Nuevomexicana/o presence throughout U.S. nuclear history, Nuclear Nuevo México focuses on recovering the voices and stories that have been lost or ignored in the telling of this history. By recuperating these narratives, Myrriah Gómez tells a new story of New Mexico, one in which the nuclear history is not separate from the collective colonial history of Nuevo México but instead demonstrates how earlier eras of settler colonialism laid the foundation for nuclear colonialism in New Mexico. Gómez examines the experiences of Nuevomexicanas/os who have been impacted by the nuclear industrial complex, both the weapons industry and the commercial industry. Gómez argues that Los Alamos was created as a racist project that targeted poor and working-class Nuevomexicana/o farming families, along with their Pueblo neighbors, to create a nuclear empire. The resulting imperialism has left a legacy of disease and distress throughout New Mexico that continues today.

Historian Wallace Stegner characterized America's National Park system as "the best idea we ever had." One can quibble with that, but, indeed, it was a pretty good idea! This book specifically is a guide and a celebration of 30 of those national parks, national historical parks, and national monuments that, each in its own way, reveals the histories and cultures of America's first inhabitants, the Native Americans. Its pages will take you to: great mounds in Ohio where the dead were laid to rest in sumptuous splendor 2,000 years ago a place in Iowa where 1,000 years ago, Native Americans sculpted earth into the forms of giant bears and birds a quarry in Minnesota where Native People have, for hundreds of years, extracted blood-red stone for their ceremonial pipes the remains of a village in North Dakota visited by Lewis and Clark in the early 1800s and the home of their guide Sacagewea truly breathtaking, more than 700-year-old cliff dwellings in Arizona and Colorado, that will astonish you in their ethereal beauty and architectural ingenuity phantasmagorical images of 7-foot-tall, wide-eyed spirit beings in Utah painted more than 1,000 years ago And many more. All of these sites have in common the fact that, at the insistence of Native and non-Native people, men and women, the federal government of the United States set them aside as places to preserve, study, and revere as part of the American story no matter where your ancestors came from, how they got here, or how long ago. Read this book and visit the historically sacred sites enshrined in our national parks, national historical parks, and national monuments, places that reveal the creativity and genius of the Native People of North America. With 180 color photographs and complete visitor information, this is a wonderful guide to Native American archaeology in our national parks and monuments.

2022 Marysa Navarro Best Book Prize, New England Council of Latin American Studies (NECLAS) In 1702, after the brutal suppression of a Zapotec revolt, the bishop of Oaxaca proclaimed an amnesty for idolatry in exchange for collective confessions. To evade conflict, Northern Zapotec communities denounced ritual specialists and surrendered sacred songs and 102 divinatory manuals, which preserve cosmological accounts, exchanges with divine beings, and protocols of pre-Columbian origin that strongly resemble sections of the Codex Borgia. These texts were sent to Spain as evidence of failed Dominican evangelization efforts, and there they remained, in oblivion, until the 1960s. In this book, David Tavárez dives deep into this formidable archive of ritual and divinatory manuals, the largest calendar corpus in the colonial Americas, and emerges with a rich understanding of Indigenous social and cultural history, Mesoamerican theories of cosmos and time, and Zapotec ancestor worship. Drawing on his knowledge of Zapotec and Nahuatl, two decades of archival research, and a decade of fieldwork, Tavárez dissects Mesoamerican calendars as well as Native resistance and accommodation to the colonial conquest of time, while also addressing entangled transatlantic histories and shining new light on texts still connected to contemporary observances in Zapotec communities.

U.S. Poet Laureate and winner of the 2022 Academy of American Poets Leadership Award Joy Harjo examines the power of words and how poetry summons us toward justice and healing   "Her enduring message--that writing can be redemptive--resonates: 'To write is to make a mark in the world, to assert "I am."' The result is a rousing testament to the power of storytelling."--Publishers Weekly   "Harjo writes as if the creative journey has been the destination all along."--Kirkus Reviews   In this lyrical meditation about the why of writing poetry, Joy Harjo reflects on significant points of illumination, experience, and questioning from her fifty years as a poet. Composed of intimate vignettes that take us through the author's life journey as a youth in the late 1960s, a single mother, and a champion of Native nations, this book offers a fresh understanding of how poetry functions as an expression of purpose, spirit, community, and memory--in both the private, individual journey and as a vehicle for prophetic, public witness.   Harjo insists that the most meaningful poetry is birthed through cracks in history from what is broken and unseen. At the crossroads of this brokenness, she calls us to watch and listen for the songs of justice for all those America has denied. This is an homage to the power of words to defy erasure--to inscribe the story, again and again, of who we have been, who we are, and who we can be.

Sherman Coolidge's (1860-1932) panoramic life as survivor of the Indian Wars, witness to the maladministration of the reservation system, mediator between Native and white worlds, and ultimate defender of Native rights and heritage made him the embodiment of his era in American Indian history. Born to a band of Northern Arapaho in present-day Wyoming, Des-che-wa-wah (Runs On Top) endured a series of harrowing tragedies against the brutal backdrop of the nineteenth-century Indian Wars. As a boy he experienced the merciless killings of his family in vicious raids and attacks, surviving only to be given up by his starving mother to U.S. officers stationed at a western military base. Des-che-wa-wah was eventually adopted by a sympathetic infantry lieutenant who changed his name and set his life on a radically different course. Over the next sixty years Coolidge inhabited western plains and eastern cities, rode in military campaigns against the Lakota, entered the Episcopal priesthood, labored as missionary to his tribe on the Wind River Reservation, fomented dangerous conspiracies, married a wealthy New York heiress, met with presidents and congressmen, and became one of the nation's most prominent Indigenous persons as leader of the Native-run reform group the Society of American Indians. Coolidge's fascinating biography is essential for understanding the myriad ways Native Americans faced modernity at the turn of the century.

Over a long, influential career in poetry, Joy Harjo has been praised for her "warm, oracular voice" (John Freeman, Boston Globe) that speaks "from a deep and timeless source of compassion for all" (Craig Morgan Teicher, NPR). Her poems are musical, intimate, political, and wise, intertwining ancestral memory and tribal histories with resilience and love. In this gemlike volume, Harjo selects her best poems from across fifty years, beginning with her early discoveries of her own voice and ending with moving reflections on our contemporary moment. Generous notes on each poem offer insight into Harjo's inimitable poetics as she takes inspiration from Navajo horse songs and jazz, reckons with home and loss, and listens to the natural messengers of the earth. As evidenced in this transcendent collection, Joy Harjo's "poetry is light and elixir, the very best prescription for us in wounded times" (Sandra Cisneros, Millions).

Dr. Maya Summer works at Arizona Public Health, overseeing and researching a myriad of public health issues. A passionate advocate for a motorcycle helmet law, she also monitors disease-bearing mosquitoes, rabid bobcats, and the opioid epidemic--along with many other concerns. To maintain her clinical skills, she spends time at the nearby family medicine residency, seeing patients and teaching new physicians. Maya also navigates a complicated personal life: a somewhat troubled romantic relationship with a cardiologist; a retired physician-friend searching for new meaning; an undocumented neighbor raising a young son; and a cherished ailing old horse. A new danger looms when she sparks the anger of local biker gangs who want to stop her helmet campaign. As the intimidating warnings reach an unsettling highpoint, a past trauma that had been fueling her work now starts to haunt her--threatening to derail her carefully choreographed life. Dr. Alex Reddish, a faculty member at the residency, enjoys Maya's company every week. He longs to know her better but also knows she is involved with a prominent cardiologist. A former shy chess champion, Alex has worked to remake himself into a more socially engaged person, though he cannot completely shed his reclusive past. His professional life is complicated by two resident physician advisees: a depressed and poorly performing man, and a seductive woman. And now someone seems determined to harm him.  Maya and Alex turn accomplices when they try to unravel a spate of unusual illnesses afflicting residency staff, and discover disturbing trends. As Maya and Alex become closer, they must also tackle their personal pasts and individual demons, and find the courage to move forward. 

Set in a Native community in Maine, Night of the Living Rez is a riveting debut collection about what it means to be Penobscot in the twenty-first century and what it means to live, to survive, and to persevere after tragedy.   In twelve striking, luminescent stories, author Morgan Talty--with searing humor, abiding compassion, and deep insight--breathes life into tales of family and a community as they struggle with a painful past and an uncertain future. A boy unearths a jar that holds an old curse, which sets into motion his family's unraveling; a man, while trying to swindle some pot from a dealer, discovers a friend passed out in the woods, his hair frozen into the snow; a grandmother suffering from Alzheimer's projects the past onto her grandson; and two friends, inspired by Antiques Roadshow, attempt to rob the tribal museum for valuable root clubs.  A collection that examines the consequences and merits of inheritance, Night of the Living Rez is an unforgettable portrayal of an Indigenous community and marks the arrival of a standout talent in contemporary fiction.

A brave new collection of poems from Sandra Cisneros, the best-selling author of The House on Mango Street. It has been twenty-eight years since Sandra Cisneros published a book of poetry. With dozens of never-before-seen poems, Woman Without Shame is a moving collection of songs, elegies, and declarations that chronicle her pilgrimage toward rebirth and the recognition of her prerogative as a woman artist. These bluntly honest and often humorous meditations on memory, desire, and the essential nature of love blaze a path toward self-awareness. For Cisneros, Woman Without Shame is the culmination of her search for home--in the Mexico of her ancestors and in her own heart.

Celeste, a card sharp with a need for justice, takes on the role of advocatus diaboli, to defend her sister Mariel, accused of murdering a Virtue, a member of the ruling class of this mining town, in a new world of dark fantasy from the New York Times bestselling author of Black Sun, Rebecca Roanhorse. The year is 1883 and the mining town of Goetia is booming as prospectors from near and far come to mine the powerful new element Divinity from the high mountains of Colorado with the help of the pariahs of society known as the Fallen. The Fallen are the descendants of demonkind living amongst the Virtues, the winners in an ancient war, with the descendants of both sides choosing to live alongside Abaddon's mountain in this tale of the mythological West from the bestselling mastermind Rebecca Roanhorse.

A wild, seductive debut collection that presents a powerful journey of struggle and healing--and a spellbinding brew of folklore, movies, music, and ritual. "Draw me encircled // in something // other than gasoline." The poems of Rose Quartz hum with the naked energy of one who has found her way home after a journey rife with difficulty and who has the scars to show for it. In them, Sasha taqwsəblu LaPointe moves from intimate scenes of peril--a car accident, an unwelcome advance at a party, a miscarriage--to the salvific, exhilarating punk scene of the Pacific Northwest and the centering shores of her Coast Salish ancestors. Along the way, she peers into the darker corners of her own search for belonging, and finds there glittering stones dense with meaning and the power to move forward. As game to follow a beckoning Laura Palmer into the burning woods as she is to step into the shoes of Little Red Riding Hood as she lays waste to her wolf, LaPointe explores the sublime space between beauty and danger through lush, almost baroque, use of folktale and color. Red, white, blue, and an amalgam that is none of the above--rose--vie for the speaker's embrace as a mixed-race woman. Here, poems become offerings, rituals, incantations conjured in the name of healing and power. Like the stones and cards laid on an altar, Rose Quartz offers a reading at the intersection of identity and myth, trauma and truth, telling the story of past, present, and future.

Born and raised in El Paso, Texas, Ray Gonzalez returns to Texas and nearby New Mexico to meditate on love, literature, loss, and la línea in Suggest Paradise. The collection offers readers some of the richest and most complex poems that embody the Southwest and the borderlands, including a poignant look at the massacre at the El Paso Walmart. A unique voice of the Southwest, Gonzalez brings his intellect and his well-honed craft to this work and offers readers a nuanced and powerful perspective on poetry and the Border.

From the acclaimed author of The Marrow Thieves comes a thrilling new story about hope and survival that New York Times bestselling author Angeline Boulley called "a revelatory must-read" A 2022 American Indian Library Association Youth Literature Young Adult Honor Book Years ago, when plagues and natural disasters killed millions of people, much of the world stopped dreaming. Without dreams, people are haunted, sick, mad, unable to rebuild. The government soon finds that the Indigenous people of North America have retained their dreams, an ability rumored to be housed in the very marrow of their bones. Soon, residential schools pop up--or are re-opened--across the land to bring in the dreamers and harvest their dreams. Seventeen-year-old French lost his family to these schools and has spent the years since heading north with his new found family: a group of other dreamers, who, like him, are trying to build and thrive as a community. But then French wakes up in a pitch-black room, locked in and alone for the first time in years, and he knows immediately where he is--and what it will take to escape. Meanwhile, out in the world, his found family searches for him and dodges new dangers--school Recruiters, a blood cult, even the land itself. When their paths finally collide, French must decide how far he is willing to go--and how many loved ones is he willing to betray--in order to survive. This engrossing, action-packed, deftly-drawn novel expands on the world of Cherie Dimaline's award-winning The Marrow Thieves, and it will haunt readers long after they've turned the final page.

From the award-winning author of The First Rule of Punk and Strange Birds, a dazzling novel about a young girl who collects the missing pieces of her origin story from the family of legendary luchadores she's never met. A 2023 Pura Belpré Author Honor Book Twelve-year-old Adela "Addie" Ramírez has a big decision to make when her stepfather proposes adoption. Addie loves Alex, the only father figure she's ever known, but with a new half brother due in a few months and a big school theater performance on her mind, everything suddenly feels like it's moving too fast. She has a million questions, and the first is about the young man in the photo she found hidden away in her mother's things. Addie's sleuthing takes her to a New Mexico ranch, and her world expands to include the legendary Bravos: Rosie and Pancho, her paternal grandparents and former professional wrestlers; Eva and Maggie, her older identical twin cousins who love to spar in and out of the ring; Uncle Mateo, whose lucha couture and advice are unmatched; and Manny, her biological father, who's in the midst of a career comeback. As luchadores, the Bravos's legacy is strong. But being part of a family is so much harder--it's about showing up, taking off your mask, and working through challenges together. COVER MAY VARY.

After spending five years in LA working successfully as a screenwriter, the protagonist of this novel decides it's time to return to his hometown, Santa Luz, New Mexico, to pen the novel he has always needed to write about the strained relationship with his father. He reconnects with old friends and meets new ones, and the parade of quirky characters-self-proclaimed artists, wealthy retirees, corrupt lawyers-distracts him from his project. There's Helen, who hooks up with an unsavory character and winds up in jail-for murder. Sheryl can't take her philandering husband anymore and drives her car off a mountaintop, killing herself and her children. And there's Paul, who lives a double life as a happy family man, but who has a serious drug addiction. Against the backdrop of mystical mornings and beautiful mountains, the writer soon realizes things aren't always what they seem in Santa Luz. In fact, the city is "infested with meth, heroin and wealthy coke addicts." The writer's sympathies are with the working class, and his satirical gaze embraces the people who live in the shadows, those considered "misfits." Jimmy Santiago Baca writes compellingly about artists and their responsibility to society.

Rita Todacheene is a forensic photographer. Her excellent photography skills have cracked many cases - she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward clues other investigators overlook. Rita's taboo ability was what drove her away from the Navajo reservation, where she was raised. It has isolated her from friends and gotten her in trouble with the law. And now it might be what gets her killed, when a furious ghost lands her in the crosshairs of Albuquerque s most dangerous cartel.

Designated in 2016 by President Obama and reduced to 85 percent of its original size one year later by President Trump, Bears Ears National Monument continues to be a flash point of conflict among ranchers, miners, environmental groups, states' rights advocates, and Native American activists. In this volume, Andrew Gulliford synthesizes 11,000 years of the region's history to illuminate what's truly at stake in this conflict and distills this geography as a place of refuge and resistance.   Gulliford's engaging narrative explains prehistoric Pueblo villages and cliff dwellings, Navajo and Ute history, stories of Mormon families who arrived by wagon train in 1880, impacts of the Atomic Age, uranium mining, and the pothunting and looting of Native graves that inspired the passage of the Antiquities Act over a century ago. The book describes how the national monument came about and its deep significance to five native tribes.   Bears Ears National Monument is a bellwether for public land issues in the American West. Its recognition will be relevant for years to come.  

In 1908, near Folsom, New Mexico, a cowboy discovered the remains of a herd of extinct giant bison. By examining flint points embedded in the bones, archeologists later determined that a band of humans had killed and butchered the animals 12,450 years ago. This discovery vastly expanded America's known human history but also revealed the long-standing danger Homo sapiens presented to the continent's evolutionary richness. Distinguished author Dan Flores's ambitious history chronicles the epoch in which humans and animals have coexisted in the "wild new world" of North America--a place shaped both by its own grand evolutionary forces and by momentous arrivals from Asia, Africa, and Europe. With portraits of iconic creatures such as mammoths, horses, wolves, and bison, Flores describes the evolution and historical ecology of North America like never before. The arrival of humans precipitated an extraordinary disruption of this teeming environment. Flores treats humans not as a species apart but as a new animal entering two continents that had never seen our likes before. He shows how our long past as carnivorous hunters helped us settle America, initially establishing a coast-to-coast culture that lasted longer than the present United States. But humanity's success had devastating consequences for other creatures. In telling this epic story, Flores traces the origins of today's "Sixth Extinction" to the spread of humans around the world; tracks the story of a hundred centuries of Native America; explains how Old World ideologies precipitated 400 years of market-driven slaughter that devastated so many ancient American species; and explores the decline and miraculous recovery of species in recent decades. In thrilling narrative style, informed by genomic science, evolutionary biology, and environmental history, Flores celebrates the astonishing bestiary that arose on our continent and introduces the complex human cultures and individuals who hastened its eradication, studied America's animals, and moved heaven and earth to rescue them. Eons in scope and continental in scale, Wild New World is a sweeping yet intimate Big History of the animal-human story in America.

Outback and Out West examines the ecological consequences of a settler-colonial imaginary by comparing expressions of settler colonialism in the literature of the American West and Australian Outback. Tom Lynch traces exogenous domination in both regions, which resulted in many similar means of settlement, including pastoralism, homestead acts, afforestation efforts, and bioregional efforts at "belonging." Lynch pairs the two nations' texts to show how an analysis at the intersection of ecocriticism and settler colonialism requires a new canon that is responsive to the social, cultural, and ecological difficulties created by settlement in the West and Outback. Outback and Out West draws out the regional Anthropocene dimensions of settler colonialism, considering such pressing environmental problems as habitat loss, groundwater depletion, and mass extinctions. Lynch studies the implications of our settlement heritage on history, art, and the environment through the cross-national comparison of spaces. He asserts that bringing an ecocritical awareness to settler-colonial theory is essential for reconciliation with dispossessed Indigenous populations as well as reparations for ecological damages as we work to decolonize engagement with and literature about these places.

Lizards dashing rapidly between plants. Songbirds and woodpeckers flying to and from their nests. Hawks perched on saguaros. What kinds of journeys have these and many other animals and plants and their ancestors taken in space and time to arrive in the Sonoran Desert? How long have these species been living together here? In Sonoran Desert Journeys ecologist Theodore H. Fleming discusses two remarkable journeys. First, Fleming offers a brief history of our intellectual and technical journey over the past three centuries to understand the evolution of life on Earth. Next, he applies those techniques on a journey of discovery about the evolution and natural history of some of the Sonoran Desert's most iconic animals and plants. Fleming details the daily lives of a variety of reptiles, birds, mammals, and plants, describing their basic natural and evolutionary histories and addressing intriguing issues associated with their lifestyles and how they cope with a changing climate. Finally, Fleming discusses the complexity of Sonoran Desert conservation. This book explores the evolution and natural history of iconic animals and plants of the northern Sonoran Desert through the eyes of a curious naturalist and provides a model of how we can coexist with the unique species that call this area home.  

The result of decades of research, A Green Band in a Parched and Burning Land presents a thorough and detailed understanding of the Sobaipuri O'odham--arguably the most influential and powerful Indigenous group in southern Arizona in the terminal prehistoric and early historic periods, yet one of the least understood and under-studied to have occupied the region. Deni J. Seymour combines historical sources with fresh archaeological data and oral history to reveal an astonishingly different view of, and revise conventional wisdom around, the native history of the region.   First and foremost irrigation farmers, the Sobaipuri O'odham permanently occupied verdant strips along all the major rivers in the region--including the headwaters of the San Pedro and various other areas thought to be beyond their domain. Seymour draws on career-spanning fieldwork, conversations with direct descendants (the O'odham residents of Wa:k), and recent breakthroughs in archaeological, ethnographic, and ethnohistorical research to shed light on their unique forms of landscape use, settlement patterns, and way of life. She details the building materials, linear site layout, and other elements of their singular archaeological signature; newly established dating for individual sites, complex building episodes, and occupational sequences; and evidence of cumulative village occupation as well as the habitation of river valleys and other locales long after supposed abandonment. The book also explains the key relationships between site distributions and landscape characteristics.   Addressing some of the longest-standing archaeological and historical questions about the Sobaipuri O'odham, A Green Band in a Parched and Burning Land reorients the discussion of their crucial place in the history of the region in constructive new directions.    

Signed on November 24, 1922, the Colorado River Compact is the cornerstone of a proverbial pyramid--an elaborate body of laws colloquially called the "Law of the River" that governs how human beings use water from the river system dubbed the "American Nile." No fewer than forty million people have come to rely on the Colorado River system in modern times--a river system immersed in an unprecedented, unrelenting megadrought for more than two decades. Attempting to navigate this "new normal," policymakers are in the midst of negotiating new management rules for the river system, a process coinciding with the compact's centennial that must be completed by 2026. Animated by this remarkable confluence of events, Cornerstone at the Confluence leverages the centennial year to reflect on the compact and broader "Law of the River" to envision the future. It is a volume inviting dialogue about how the Colorado River system's flows should be apportioned given climate change, what should be done about environmental issues such as ecosystem restoration and biodiversity protection, and how long-standing issues of water justice facing Native American communities should be addressed. In one form or another, all these topics touch on the concept of "equity" embedded within the compact--a concept that tees up what is perhaps the foundational question confronted by Cornerstone at the Confluence: Who should have a seat at the table of Colorado River governance?

The second highest concrete-arch dam in the United States, Glen Canyon Dam was built to control the flow of the Colorado River throughout the Western United States. Completed in 1966, the dam continues to serve as a water storage facility for residents, industries, and agricultural use across the American West. The dam also generates hydroelectric power for residents in Colorado, Wyoming, New Mexico, Utah, Nevada, Arizona, and Nebraska. More than a massive piece of physical infrastructure and an engineering feat, the dam exposes the cultural structures and complex regional power relations that relied on Indigenous knowledge and labor while simultaneously dispossessing the Indigenous communities of their land and resources across the Colorado Plateau. Erika Marie Bsumek reorients the story of the dam to reveal a pattern of Indigenous erasure by weaving together the stories of religious settlers and Indigenous peoples, engineers and biologists, and politicians and spiritual leaders. Infrastructures of dispossession teach us that we cannot tell the stories of religious colonization, scientific exploration, regional engineering, environmental transformation, or political deal-making as disconnected from Indigenous history. This book is a provocative and essential piece of modern history, particularly as water in the West becomes increasingly scarce and fights over access to it continue to unfold.

"The Gila Wilderness is both a landmark in conservation history and a living, evolving place. First and Wildest is an elegant, impassioned, and timely tribute to its remarkable past and present." --MICHELLE NIJHUIS In the summer of 1922, Aldo Leopold traveled on horseback up into the headwaters of New Mexico's Gila River and proposed to his bosses at the Forest Service that 500,000 acres of that rough country be set aside as roadless wilderness. Thus was born America's first--the world's first--designated wilderness. A century later, writer-activists, including Indigenous voices, come together to celebrate this vast, rugged landscape, the Yellowstone of the Southwest. Contributors include Michael P. Berman, Philip Connors, Martha Schumann Cooper, Beto O'Rourke, Martin Heinrich, Pam Houston, Priyanka Kumar, Laura Paskus, Sharman Apt Russell, Jakob Sedig, Leeanna T. Torres, and JJ Amaworo Wilson. ELIZABETH HIGHTOWER ALLEN is a contributing editor at Outside magazine, where she spent twenty-plus years editing award-winning features and writing columns and book reviews. A transplanted southerner turned westerner, she lives in Santa Fe, New Mexico, where she edits books and articles about public lands, memoir, and adventure, and serves on the advisory board to Writers on the Range. She and her husband and daughter spend as much time as they can exploring the rivers and mountains of the West--while also making it back to Tennessee fairly frequently for ham biscuits. Her mind is blown by the rugged vastness of the Gila.